• SoSally

NEWS: CABLE STREET COLLECTIVE 'SPEAKING IN TONGUES' Feat. GREGG KOFI BROWN (OSIBISA) OUT 30 OCT



“Spicy indie pop with a tropical feel.” CLASH Magazine


“Their music grooves like a bastard.” Tom Robinson (BBC 6 Music & BBC Introducing)

"Such a great live band." John Kennedy (RadioX Xposure)

AS HEARD ON BBC 6MUSIC’S STEVE LAMACQ RECOMMEND 

London-based 7-piece Cable Street Collective return with their brand-new single, Speaking in Tongues, featuring Gregg Kofi Brown, from the legendary Afro-rock band Osibisa. 

The track, which features their signature combination of thumping dance rhythms, African-influenced guitars and an addictive chorus, was co-written with the Osibisa singer and guitarist, who also contributes backing vocals. “Lyrically, it’s about what happens when relationships and trust - both personal and political - break down,” says the band. “Gregg suggested the chorus line, using speaking in tongues as a metaphor for talking at cross purposes. It conjured up images of individuals with entrenched, religiously-held views shouting at each other. That felt like a pretty good way to describe not just a break-up, but also the way the UK’s been led in recent years.”

And don't miss the accompanying video for Speaking In Tongues - created in the style of an 8-Bit platform game. Here's the band on the idea behind it: "The track was written towards the end of last year, when it felt like the UK was descending into a full-blown culture war over Brexit. The lyrics are laced with references to the English Civil War, another period in the country's history where you had these massively polarising debates about parliamentary sovereignty, and the exercise of power by unaccountable leaders.


There's this current of British history that's really revolutionary, including the ideas of civil war factions like the levellers (and of course, much later, the Battle of Cable Street) that never really gets the attention it deserves. (All too often, British history gets appropriated by people on the right, who want to use it to defend the record of the empire, or push nasty, anti-immigrant rhetoric). So we were kind of referencing that with the lyrics. If anything, that culture war, those fights over history and identity, feel like they’ve become even more entrenched in the time between writing the song, and sitting down to make the video. The outrage that was sparked when a statue of a literal slave-trader was taken down in Bristol was mind-blowing. And then, looking across the Atlantic, it's hard to ignore the parallels with what's going on there.

So that's where we got the idea for our three 'end of level bosses' who are (obviously) Edward Colston, Boris Johnson and Donald Trump. We liked the idea of doing it as an 8-Bit platform game, with us throwing pineapples, because it felt like another good way of poking fun at these puffed-up ego-maniacs."


Their sound mixes African-influenced guitars and beats with soulful female vocals and western melodies, creating an idiosyncratic alt-pop sound that’s all their own. Their rousing live sets, often featuring extended jams, are guaranteed to get everyone to their feet. Cable Street Collective have been a fixture on the festival circuit since the release of their first EP in 2014, and have since built up a stellar reputation as a live band. Their second EP, Where Now From Here? (2018) earned them critical plaudits and radio play on BBC Radio 6Music, Radio X and Amazing Radio, among others. Last summer they added Glastonbury and Shambala to the long list of festivals they’ve played, which include Boomtown, Bestival, Secret Garden Party, The Isle of Wight Festival, and the Lake of Stars Festival (Malawi). 


9 views0 comments